I bought it new in from Music Emporium in Northern Virginia, and continues to be one of my favorites. While not historically accurate, the P pickups, one-piece mahogany body beautiful grain , slim neck no volute , and low, fast frets made this a real bargain. It currently has an early s Bill Lawrence Mini-Humbucker in the back — don’t worry, no routing required the P is in the case. The 70’s Gibsons take a bad rap from the vintage intelligentsia. We recommend that you play what you want and let the “cork sniffers” wring their hands! This one has a classic sound, is a very well-made guitar, and is a true keeper.
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The Ibanez AD9 Analog Delay is a pedal designed for electric guitar but suitable for use with any electronic instrument. The pedal can be found both as an older vintage version and a newer reissue.
Got the Ibanez AD-9 re-issue. Vintage Analog Delay Junkie here. Not at all clean like any of my classic BBD delays. You can hear an overdriven quality to the repeats like they are breaking up. Also there is a “ping-i-ness” to the percussive quality that I have never heard in an analog delay. I was waaay bummed. Also, despite the Ibanez literature of the unit sounding “crazy”, my new re-issue does NOT feedback. If you set the repeats for “infinite” they just sit there infinitely.
Twisting the rate control only makes the unit go “wa-a” for a second. It sounds like it is going to start feeding back, but never does actually “runawaway”. Of course the original Ibanez AD-9 and re-issue Maxon do this perfectly as do all my other classic delays. So, I popped open the back. Just as I thought. Not a classic BBD chip to be seen.
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Ibanez (アイバニーズ, Aibanīzu) is a Japanese guitar brand owned by Hoshino Gakki. Based in Nagoya, Aichi, Japan, Hoshino Gakki were one of the first Japanese musical instrument companies to gain a significant foothold in import guitar sales in the United States and Europe, as well as the first brand of guitars to mass-produce the seven-string guitar and eight-string guitar.
Discussing these tricks with Maxon, they advise against playing with the internal potentiometers of any units because the potentiometers also work to align the circuitry itself and not simply extend the delay times or adjust the repeats. In addition, tampering with the units WILL void the warranties of the units. So that said, I did this experiment for the sake of the review here only. That said, I carefully noted the original positions of the delays and then went about adjusting the delay times and repeats.
Clock noise and thumping sounds set in almost immediately with the Ibanez AD-9 in addition to severe degradation on even the very first delay repeats. From this test of extended delay and repeats, it again validated the use of superior quality components and layout on the part of the Maxon unit. Stock from the factory, the Ibanez AD-9 is set to decay after a given number of repeats — even with the feedback control set to maximum.
The Maxon is already setup for self-oscillation. Those not familiar with that effect need only set their delays for maximum repeat and delay time, play a chord or note, then slowly move the delay time back toward a shorter delay as the sound is still cycling. The pitch of the signal will rise upward until the transition to delay oscillation feedback is generated.
Jul 20, · I’m decent at dating old Ibanez pedals, I have an ’83 AD9 myself. But I, for some reason, can’t see pictures 90% of the time on my work computer.
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How Can You Find Out When a Ibanez AD9 Was Manufactured (Based on its Serial Number)?
We would be glad to use the RC chip in your mod if you would like. They have a little bit more grit which some people might like. SRV used the TS for his trademark juicy strat tone. TS9 Around until the Ibanez pedals were repackaged and the 9-series of effects were made. The most popular was the TS-9 tube screamer, which is almost the same as the TS internally. The main change in the TS-9 circuit is in the output section.
Find great deals on eBay for ibanez ad9. Shop with confidence.
Mahogany body back and sides with tortoiseshell binding gives this guitar a true vintage vibe. The mahogany soft-V shape neck in satin finish with a rosewood fretboard provides playing comfort. Open gear tuners with butterbean knobs A bone nut and saddle are chosen for its ability to transfer the string vibration naturally. D’Addario Nickel Bronze strings emphasize the natural voice of Thermo Aged wood with incredible clarity, resonance and projection.
Artwood Vintage steps even further back in history and borrows the best features of highly desired vintage instruments. Only choice selected and seasoned tonewood can be cured to Thermo Aged wood. The wood is heated in a vacuum with a specific recipe for each kind of the wood in order to release water and decompose resin contained within the wood. As a result, Thermo Aged tonewood becomes light, hard and stable-like tonewood dried for decades, while providing amazing response and a louder sound.
The tone character includes a full-bodied low end and a great smooth sustain in the treble strings which are common features of vintage guitars.
Telecaster Guitar Forum
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Batch number V dates it to The ES ‘s were near the bottom of the price list for Gibson archtops of this era, but that only means minimal cosmetics appointments as it was built by the same craftsmen who built their fancier models. Although Gibson made a thin-body version T , this is the original full depth 3.